{"id":1854,"date":"2026-01-16T13:26:13","date_gmt":"2026-01-16T12:26:13","guid":{"rendered":"https:\/\/stage-correr.visitmuve.it\/mostra\/dialoghi-canoviani-karen-lamonte-nocturnes\/"},"modified":"2026-02-06T16:20:16","modified_gmt":"2026-02-06T15:20:16","slug":"nocturnes","status":"publish","type":"mostra","link":"https:\/\/correr.visitmuve.it\/en\/exhibition\/nocturnes\/","title":{"rendered":"DIALOGHI CANOVIANI. Karen LaMonte. Nocturnes"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><strong>Karen LaMonte<\/strong> has the extraordinary ability to<strong> investigate the human figure by subtraction<\/strong>. Through an <strong>analytical work<\/strong>, initially focused on the container-garment, the artist manually retraces, with <strong>obsessive and scientific precision<\/strong>, every single fold, modifying each yarn in its smallest detail.<br \/>\n<strong>It is the evocation of a female world<\/strong> that the artist places before us: the fusion in glass crystallizes this creative process to deliver it in a transparency that now appears suspended in time, motionless yet richly evocative and pervaded by distant echoes.<br \/>\n<strong>In her recent series of works entitled <\/strong><\/span><strong><i>Nocturnes<\/i><\/strong><span style=\"font-weight: 400\">, the artist again raises the bar by guiding us on a journey through nocturnal visions populated with sculptures now immersed in an atmosphere marked by different shades of blue, just as the veils of colour differ as evening glides towards night: tone on tone.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\"><strong>The artist\u2019s work is not extraneous to classical art and Canova\u2019s Neoclassicism<\/strong>. But while in Canova perfection of execution serves to bring inert matter to life, in Karen LaMonte the same perfection serves rather to evoke a possible form of life, to create the conditions from which that life can emerge. This is a comparison between <strong>two visions of art<\/strong> that are apparently similar yet actually opposed, and could be summed up in the relation between description and deduction.<\/span><\/p>\n<p><span style=\"font-weight: 400\"><strong>A glance in the mirror<\/strong>. In Karen LaMonte\u2019s sculptures it is not the female body in its glowing fullness that dominates the scene, but, as in a photographic negative, its absence. A nocturnal breeze swirls lightly over the surfaces of these new works of hers, slipping between their folds, seeming to reshape their outlines: the transparency of the glass tinged in the night slowly leads us <strong>beyond the usual, beyond the apparent, until the slow emergence of the unexpected<\/strong>.<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-1854","mostra","type-mostra","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DIALOGHI CANOVIANI. Karen LaMonte. 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